Program
Saturday, August 2, 2025
Program
Saturday, August 2, 2025
Théo Ould & Lucile Boulanger (FR)
14u00
This duo blurs the lines between styles and centuries: Lucile Boulanger (viola da gamba) and Théo Ould (accordion).
Their collaboration began with a profound conversation about interpretation and staying true to a composer’s intentions. What started as a podcast encounter soon grew into a musical adventure where contrasts enrich one another.
More than three centuries separate their instruments, yet together they bring the baroque repertoire of composers like Bach, Marais and Rameau to life with fresh insight and a surprising sound.
Expect a concert full of expression and contrast!
James Oesi Trio (NL/UK)
15u15
The James Oesi Trio, featuring James Oesi, David Mackor, and Mark Haanstra, is a truly unique ensemble.
Three top-tier musicians from very different worlds: classical, baroque, and jazz.
Together, they present a program that begins in the 18th century with works by Bach, Vivaldi, and Handel, but unexpectedly ventures into South African jazz from the 1980s and 90s.
James Oesi, one of the most compelling musical voices of his generation, has arranged a series of works especially for this trio—familiar pieces that sound completely fresh.
With Fentross, an influential continuo player and winner of the Van Wassenaer Prize, and Haanstra, an acclaimed jazz bassist and Grammy Award winner, this promises to be a concert that will challenge your ears and surpass your expectations.
Coordonné & Ensemble Delta (Thomas Langlois kwartet (BE))
16u30
As Young Artist in Residence, Thomas Langlois is one of the central figures of this year’s edition of Intra Muros.
The Belgian lutenist, born in Ghent and musically shaped in Basel, brings both refinement and depth to his playing.
He completed his studies at the Schola Cantorum Basiliensis, where he was awarded the prize for best final recital. Since then, he has performed as a soloist and continuo player with ensembles including Il Gardellino, Musica Gloria, Bach+, and others.
At Intra Muros, Thomas brings the lute and theorbo to life in a way that resonates with both seasoned listeners and new audiences. Expect delicacy, precision, and a fresh perspective on early music.
Marieke Van Ransbeeck kwartet (BE)
18u00
Marieke Van Ransbeeck is a dynamic musical personality, an artist who energises both stage and audience with her bagpipes.
She moves seamlessly between baroque and folk, between tradition and individuality. Her roots lie in the Flemish folk scene, but her training also brought her to the far north, where she immersed herself in Scandinavian traditions. Her mission is clear: “Bring folk to the people!”—and that resonates in every note.
Together with Dimos de Beun (spinet), Elke de Meester (accordion), and Phyllis Bartholomeus (baroque cello), she presents a spirited programme featuring music from Danish manuscripts, dances by Rameau, Scandinavian traditionals, and her own compositions.
Expect fiery melodies, surprising combinations, and an infectious energy rarely heard at a baroque festival.
Il Gardellino, feat. Marcel Ponseele & Thomas Langlois (BE)
19u30
Marcel Ponseele is one of Belgium’s most renowned baroque musicians, with an international reputation.
Earlier this year, he received the prestigious Bach Medal in Leipzig, a recognition of his exceptional contribution to baroque music.
At Intra Muros, Marcel Ponseele will take the stage with the ensemble @ilgardellino, joined by our Young Artist in Residence, Thomas Langlois.
A unique encounter between experience and emerging talent.
Le Concert de l'Hostel Dieu (FR)
21u30
Le Concert de l’Hostel Dieu will perform this year’s closing concert at Intra Muros, and not without reason.
In 2025, we celebrate 300 years since the first printed edition of Vivaldi’s The Four Seasons. A work that conquered the world, was rediscovered in the 1950s, and has since become one of the most frequently performed compositions of all time.
But how do you keep something alive that has been heard so often? Composer Karl Aage Rasmussen offers a remarkable answer. His version for baroque orchestra breathes new life into the piece: subtle, surprising, thought-provoking, and deeply respectful of Vivaldi’s spirit.
This is not a reworking like Max Richter’s, nor a traditional performance, but a bold reinterpretation by one of Europe’s most captivating baroque ensembles.
A new perspective on a timeless classic.
The perfect finale to a remarkable day.